Please Stop Putting Spoilers In Book Blurbs

Book blurbs. They tease, they intrigue, they get us excited. Whenever I buy a book, I look at the blurb first. Point is – they matter.

I know the majority of authors have no control over their blurbs, so this minor rant is more focused on those folks who do decide what’s plonked on a book’s cover. So, please, can you stop with the spoilers?

Take Octavia Butler’s The Parable of the Sower, for example. It’s blurb spoiled the reading experience for me because it (spoiler warning, I guess) revealed how the protagonist loses her village and family and is forced into an American dystopia.

Parable of the Sower by Octavia Butler

By itself, there’s nothing wrong with that. It’s a good hook, sounds interesting, and explains what the book is about.

The problem is, this doesn’t happen until nearly halfway through.

If a blurb describes an event in the story, I expect to read about it as soon as possible. Preferably in the opening chapter. I already know it’s going to happen, it’s the event that convinced me to start reading, so why wait?

Instead, by revealing such a major turning point, I was left wondering when the story I was promised was going to start. I was bored and frustrated.

I understand there’s a lot of pressure to write a blurb that convinces people to buy the book, but revealing something like that demonstrates no confidence in the story and weakens the reading experience. It’s unfair to author and reader.

A blurb shouldn’t reveal anything the first chapter doesn’t. Uprooted by Naomi Novik has a great blurb. It summaries the important points – Wizard. Check. Enchanted forest. Check – and hints at what’s to come. It reveals nothing past what happens in the first chapter. The rest of the story is left for the reader to discover.

Uprooted by Naomi Novik

While I wasn’t 100% happy with everything that happened in Uprooted, I had a lot more fun reading it than I did Parable of the Sower. I was surprised by each twist, new character, and by how the story evolved. I felt like I was discovering a story, rather than waiting for one.

A blurb should benefit the book, not detract from it. It shouldn’t spoil anything past the first few chapters. And if nothing blurb-worthy is happening in the opening chapters, maybe those chapters shouldn’t be there.

Published by

J.H. Dixon

What's this? An author's brand? You mean I have to boil down my complex human personality into something marketable? That's a lot of pressure. Where would I even begin? I have many facets. Many hats, if you will. One second I'm scribbling down heart-stopping thrillers, the next I'm writing a rhyming poem about a rabbit stealing eggs. What I'm writing could change any minute. No writer should have to stick to just one hat.

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